June 2012 – Monthly Wrap Up post

So with June gone, we’re halfway through the year and it’s time to do not only a monthly wrap-up post but take a look at the first 6 months and see how far I’ve come in my goals for the year. In total, I’ve read 26 books which is one every week and exactly half of my goal of 52 books – so right on target with that one. Of the 25 books I’ve decided to read this list, I’ve read 12 which is pretty much on target too. So I just need to basically repeat this in the second half of the year.

I also want to talk about Armchair BEA, an online book blogger award that took place early June. For four days, bloggers socialized, talked about books and visited each others blog and discussed the many facets of book blogging. I met some fascinating new people, found great new blogs and had a great time. Although I haven’t changed anything on the blog after BEA, I certainly got a lot to think about as well as some new inspiration – and got more certain about some of the things I do. Maybe I will add some new features or change things up a bit at a later point, for now I’m pretty much satisfied with things as they are. I highly recommend anyone to join Armchair BEA if it is held again next year.

I’ve read 1794 pages this month which is a bit of an improvement on the last couple of months but still not quite where I want it to be. I made it through 4 books which is okay but again, I really would like to read 2000+ pages and at least 5 books.

  1. Haruki Murakami: Underground. Murakami’s take on the 1995 terror attack in the Tokyo subway. Interviews with victims and with members of the cult who did it. All together, they give an interesting view into terrorist attacks in general and the Japanese psyche in specific. 4 stars.
  2. Mark Helprin: Winter’s Tale. The fourth book added to my favorites shelf this year! (The other three were We Need to Talk about Kevin, Drood and The Woman in White.) Such an amazing book – Peter Lake, Beverly Penn, Athansor and all the other fantastic characters that you can’t help fall in love with. Bigger than life characters, beautiful language, great story – all set in a mythical New York. It’s a great, great book. 5 stars.
  3. Daniel Defoe: Moll Flanders. I’m sorry to admit that these novels about ‘fallen women’ from the 18th century isn’t really working for me. Still, it’s an interesting read this story of Moll Flander’s life, several marriages and children, criminal career and prison time. 3 stars.
  4. Salman Rushdie: Shalimar the Clown. Amazing story about Shalimar, his wife Boonyi, Max Ophuls the American ambassador to India, and Max and Boonyi’s daughter India … It’s also about Kashmir, the relationship between muslims and hindus – and it’s such a great read! 4 stars.
Even though I feel like I worked hard with Clarissa this month, I haven’t finished the June letters yet. I have read more than half of them though, and at the moment, I’m enjoying them very much. Expect my Clarissa read-along post in a few days.

I finished the Haruki Murakami challenge – since I had only signed up to read one book by Murakami this year, this challenge was finished the moment I closed Underground. I do hope that I will have time to read more Murakami this year, time to read some of his fiction. All in all, I’m feeling on target with all my challenges.

So in July, I’m going to spend time watching Tour de France and reading about it, as I’ve already mentioned. I think I can read through the three books rather quickly and after that, I’m not quite sure what I want to continue with but I probably need to focus a bit on books for my challenge, maybe the two last volumes in the Earth Children’s series by Jean M. Auel, The Mists of Avalon by Marion Zimmer Bradley or The Message to the Planet by Iris Murdoch. I hope to get a lot of reading done in June to stay on track!

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Haruki Murakami: Underground (review)

‘The date is Monday 20 March, 1995. It is a beautiful clear spring morning. There is still a brisk breeze and people are bundled up in coats. Yesterday was Sunday, tomorrow is the Spring Equinox, a national holiday. Sandwiched right in the middle of what should have been a long weekend, you’re probably thinking “I wish I didn’t have to go to work today.” No such luck. You get up at the normal time, wash, dress, breakfast, and head for the subway station. You board the train, crowded as usual. Nothing out of the ordinary. It promises to be a perfectly run-of-the-mill day. Until five men in disguise poke at the floor of the carriage with the sharpened tips of their umbrellas, puncturing some plastic bags filled with a strange liquid…’ (p. 7)

This is a strange book. I don’t know what I expected but it wasn’t quite this. Most of the book consists of interviews with victims from the gas attack in the Tokyo subway in 1995. Then, the second part, is interviews with members of Aum, the group responsible for the gas attacks. There’s an introduction where Murakami explains why he wrote the book as well as the process with gathering the interviews and writing the book and there’s an essay, ‘Blind Nightmare: Where are we Japanese going?’ which finishes the first part.

There were 5 members of the Aum group who released Sarin gas in various subway trains. Murakami has collected the interviews so each of the 5 trains has it’s sections so what you read, are several eye witness accounts from the same event, one after another, before moving on to another train, another attack and the eye witness accounts from that. This means, that it does get a bit repetitive and this was the first thing I noticed. There are small differences in the accounts, but the main story are the same, of course. Each eye witness account tells a part of the story – each account is equally important because when taken together, they give a picture of what happe: ‘Even if there are some details inconsistent with reality, the collective narrative of these personal has a powerful reality of its own. This is something novelists are actively aware of, which is why I regard this as fitting work for a novelist.’ (p. 214)

Murakami is on a mission with this book. He wants ‘/…/ to recognize that each person on the subway that morning had a face, a life, a family, hopes and fears, contradictions and dilemmas – and that all these factors had a place in the drama.’ (p. 6). Even it if was very difficult for Murakami to find people willing to participate in this book, he wanted to show how it really felt for the people suffering the effects of the gas.

As I said, it’s a strange book. Interview after interview with survivors. All telling somewhat the same stories about experiencing symptoms like darkened vision and coughing, being confused about why and hospitals not knowing how to help. A lot of the victims still suffers from the effects when Murakami talks to them. The attack hit all types of people – some were traveling on those trains everyday, some was there only by chance, some used the subway maybe once a year… – the attack truly hit randomly, and I guess thereby hurt the most.

One of the things I found most interesting in this book was the informations about how life is in Japan for normal citizens. The interviews reveal a lot about the Japanese psyche – about work ethics and how many meet in maybe an hour or more before the work day starts, how many of the victims got back to work very very soon, even if they were suffering serious symptoms. Also how many live with their parents and siblings well in to their 20s – or how it doesn’t surprise Murkami that a man gets up at 3 in the morning to clean his entire house before going to work.

I found the interviews with the Aum members very informative. These interviews were not with people who were actually participating in the gas attacks, just people who had joined a religious group in order to find peace and a higher state of mind. Most of these were just people searching for something to give meaning and purpose to their lives and while reading these interviews, I couldn’t help but think how similar all cults are – and how dangerous it is, when we give our own choices over to others and these others are led astray by their own corrupted visions. A lot of the members of the cult had no idea what was going on and didn’t believe it really was Aum that had performed the attack until members started confessing, after being arrested.

For Murakami, what is needed after the attack is for the Japanese to take a good long look at themselves and to realize that the people who were members of Aum, aren’t that different from everyone else: ‘Now of course a mirror image is always darker and distorted. Convex and concave swap places, falsehood wins out over reality, light and shadow play tricks. But take away these dark flaws and the two images are uncannily similar; some details almost seem to conspire together. Which is why we avoid looking directly at the image, why, consciously or not, we keep eliminating these dark elements from the face we want to see. These subconscious shadows are an “underground” that we carry around within us, and the bitter aftertaste that continues to plague us long after the Tokyo gas attack comes seeping out from below.’ (p. 199).

This was a fascinating read. A bit repetitive at times, but the repetitiveness is important since it’s Murakami’s way of showing the importance of each individual victim. I thought Murakami succeeds in exploring the gas attack and the Japanese psyche and how each influence the other.

This is definitely not a book for everyone. It’s repetitiveness might put some readers off, for starters, but so might the subject. If you are interested in Japan or in terrorist actions, Murakami created an excellent testimony which is very much to the honor of the victims.

  • Title: Underground. The Tokyo Gas Attack and the Japanese Psyche
  • Author: Haruki Murakami
  • Publisher: Vintage
  • Year: 2002 (original 1997)
  • Pages: 309 pages
  • Source: Own Collection
  • Stars:  4 stars out of 5