I have owned Orlando for years and been wanting to read it for even more years but Virginia Woolf is a bit intimidating to me. Even after having read – and really liked – To the Lighthouse, I still find her a difficult author to read. But since Orlando is so short, I thought it would be a rather quick read and decided to bring it and read it on our summer holiday. Well, I was wrong about it being a quick read but I was right to bring it with me on holiday because I have quite a bit of time to read when we’re on holiday and this book just needs that you give it some time. At least it does for me. It’s one of those books that forces you to read slower to grasp it all. Not only is it written in a way that makes you go more slowly, my edition also came with a lot of notes that I had to read because they – or at least most of them – actually added to my understanding of the novel. And add to this that I took quite a bit of notes while reading this, of course it will take several days to read these less than 300 pages.
Now who is this Orlando? Orlando is a young man born during the reign of Elisabeth 1. Or at least he is a young man for the first 200 years or so of his life because after that, he suddenly wakes up a woman. Already now, you should know that this is not a novel – or rather, a historical biography – to be read literally. This is in fact a long love letter to Virinia Woolf’s friend Vita Sackville West and at the same time, it’s a book about history and how it’s dominated by male figures. It’s about gender roles in general, about the genre of biography – and it’s absolutely wonderful. Yes, it’s difficult going and yes, this is one of those books that you really need to work at to really get – and I know that I didn’t get anything near to all that is to get in this novel.
One thing I really liked is, how Woolf plays with time in this book – and with how we perceive time and how we relate a life. Seemingly huge life events in Orlando’s life are only hinted at or maybe just mentioned in brackets and I like that, because it’s not always the so called big events that are the most important to us. But these events are the ones the biographer focus on because they are the documented ones and so, the biographed life gets a bit twisted when compared to the real life. And some people live lives filled with experiences while others are seemingly dead on their feet. ‘The true length of a person’s life /…/ is always a matter of dispute.’ (p. 211)
Oh, and Woolf’s funny too. I love how she got rid of an unwanted suitor by dropping a frog down his shirt! She had tried to get rid of him in a lot of other ways but he just kept on forgiving her because she was just a weak woman and they were alone so no one had to know that she cheated at games for instance. Or this quote: ‘/…/ of what nature is death and of what nature life? Having waited well over half an hour for an answer to these questions, and none coming, let us get on with the story.’ (p. 49) Or this one explaining why Orlando’s writing style has changed: ‘Also that the streets were better drained and the houses better lit had its effect upon the style, it cannot be doubted.’ (p. 77)
The best thing about this book is, that it really makes me want to study, to learn more about Virginia and Vita to be able to understand it more, to get more from it. It makes me want to read and read, to be an intellectual and a snob and go to fancy dinner parties with other people who cares about this book, who wants to spend hours talking about love, time, aging, biographies and how funny Woolf really is. It makes me want to take a class on this author, this book, and learn everything. And it makes me want to read her other books. It’s a sort of treasure map to the promised land, an unspoken guarantee that the more I know the more I will get from reading this – and this will go on forever. Few books makes me feel this way – although The Great Gatsby did recently – and it truly reminds me how diverse and wonderful literature is and how lucky I am to be a bibliophile.
- Title: Orlando
- Author: Virginia Woolf
- Publisher: Penguin Modern Classics
- Year: 2000 (original 1928)
- Pages: 273 pages
- Source: Own collection
- Stars: 5 stars out of 5
Related posts (other books read for The Classics Club):
- Jane Austen: Northanger Abbey
- Alexandre Dumas: The Count of Monte Cristo
- F. Scott Fitzgerald: The Great Gatsby
- Toni Morrison: Beloved
- Victor Hugo: Les Misérables
Oh and read this post too over at Délaissé:
I read this one for The Classics Club and for my attempt at reading the 1001 Books You Must Read Before You Die.